Two Preludes, Op. 39


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Smilies are On. All times are GMT. The time now is AM. User Name. Remember Me? Members List. Today's Posts. Mark Forums Read. Thread Tools. Rate Thread. Display Modes. In , Johann Caspar Ferdinand Fischer wrote a cycle of 20 organ pieces all in different keys in his Ariadne musica. These included E major as well as E in Phrygian mode and again in Dorian mode , but not E minor per se. Bach modelled the sequence of his 48 Preludes on Fischer's example. Bach's Goldberg Variations , wrote his own 24 polonaises for keyboard, one in each of the major and minor keys.

The following is an incomplete list of works of this type that have been written since the death of J. Even though there can only be 24 keys, [v] each note can be represented by several enharmonic note names [w] and so each key can be represented by several enharmonic key names. In theory, [y] there are 31 possible note names [z] and, taking each as the tonic of one major and one minor key, 62 key names. But 32 of those keys have uncommon signatures which contain double flats or double sharps, so in practice the choice of key name is restricted to the 30 keys whose signatures have no double flats or double sharps.

Keys with 6 flats and 6 sharps, [aa] with 7 flats and 5 sharps [ab] and with 5 flats and 7 sharps [ac] are enharmonic to one another. Composers will, in most though not all cases, choose only one key from each enharmonic pair. But there are also cases of sets covering all 30 keys, which, in other words, include all enharmonic variants.


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The table below outlines the choices made in the various collections listed here. The keys are in the order that J. Bach used. The circle of fifths , whereby each major key is followed by its relative minor key, is a commonly used schema. Angelo Michele Bartolotti used this approach as early as , and it was also adopted by such later composers as Rode , Hummel , Chopin , Heller , Busoni , Scriabin , Shostakovich , Kabalevsky and Kapustin. Bach 's The Well-Tempered Clavier and some other earlier sets, major keys were followed by their parallel minor keys.

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Other composers derived their own schemas based on certain logical rationales. Yet others used no systematic ordering. Cui , Palmgren , Rachmaninoff and Castelnuovo-Tedesco 's works are examples of this. From Wikipedia, the free encyclopedia. Alexander Scriabin , Rodion Shchedrin et al. The etudes are laid out in four groups of three keys following the ascending circle of fifths separated by a minor third.

Each of them can be the tonic of one major and one minor key. All notes except C and F can be double-flatted.

Prelude and Polka, Op. 39

All notes except B and E can be double-sharped. F and C occur only first as chromatic tones in keys with double flats in their key signature. B and E occur only first as chromatic tones in keys with double sharps in their key signature. In Rudolf Faber ed. Handbuch Orgelmusik in German 2 ed. IX, p. Archived from the original on August 20, Retrieved Works ", ClementiSociety. Archived from the original on May 9, A Dictionary of Music and Musicians , p. IV, p. Archived from the original on Shostakovich, R. Shchedrin and S.

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Languages Add links. By using this site, you agree to the Terms of Use and Privacy Policy. Also, for two bassoons; or bassoon and cello or double bass [14]. Johann Christian Kittel. These preludes span C to G, major and minor. Kittel evidently intended to write 24 preludes, in honour of his teacher J.

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Bach , but the work was left unfinished. First mentioned in a MA thesis by Matthew J. Roy, Philip Seydler — The first such collection for keyboard in which the preludes are neither paired with fugues nor serve as an introduction to a suite. Charles Chaulieu. Christian Heinrich Rinck. These cover all 30 keys that use up to 7 sharps or 7 flats [31].

Rachmaninoff: 9 Etudes-Tableaux Op.39 (Lugansky, Hayroudinoff, Sofronitsky)

Joseph Christoph Kessler. The 24 Preludes were published in [32] and dedicated to Chopin , who a decade later, dedicated the German edition of his 24 Preludes, Op.

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Dedicated to Hummel [33]. Edward Wolff — Wolff was a friend of Chopin's. Ferdinand David. Published in This was either "patterned after Bach" [40] or "a kind of preparation" for Bach's Caspar Kummer.

Charles-Valentin Alkan. The sequence of keys moves alternately up a fourth and down a third. The 24 keys conclude with a final Prayer in C major. These covered the neutral and flat keys only. See Sergei Lyapunov below. William Sterndale Bennett. Giuseppe Concone — Heinrich Wilhelm Stolze — Pupil of Johann Christian Kittel. The collection was published as part 4 of his organ method and is entitled The Well-Tempered Organ in reference to Bach. Esquisses , Op. Consists of 49 pieces in 4 books, which cover all the major and minor keys twice and end with a final Laus Deo in C major.

This set employs the circle of fifths for the first 24 preludes, and concludes with an additional prelude in C major. Busoni had just turned 15 when he wrote this work. Sebastian Lee. Richard Hofmann.

Two Preludes, Op. 39 Two Preludes, Op. 39
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